Abstract
Edward James, Leonora
Carrington: Surrealist victims, Surrealist villains
Imbert, Jean-Philippe
(Dublin
City University)
This
presentation intends analysing the Irish presence existing
in the surrealist dialogue established between the visual
and artistic corpus of Leonora Carrington and of fellow
artist Edward James, (be it in his Mexican-related poetic
output or in the garden of Las
Posas, San Luis Potosí).
Firstly, Ireland - Cork for her, Dublin for
him - as a place of real or fictional shelter (sometimes
from the future, sometimes from the past, but always from
the present) will allow them both to further fathom the
cultural transformations the surrealist movement undergoes
and which they participate to, willingly or unwillingly.
Secondly, Ireland and Leonora Carrington’s Irish cultural
background and awareness will also serve as tools to refine
her understanding of the Mexican reality which nurtures her
artistic output, understanding she will share with Edward
James. Finally, the mirroring of these two realities will in
turn allow them to transform their state of exiles into a
movement of quest, establishing a sometimes non-semiotic
artistic meta-discourse aimed at dealing with the issues of
sensuality and femininity, of religion and mythology and of
dreams and fantasy, which are at the heart of the Surrealist
discourse. In so doing, both artists will have merged their
Irish and their Mexican experiences in order to refine
their never ending artistic projects.
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