Abstract
A whiter shade of green?
Mac Éinrí, Piaras
(University College Cork)
Immigration into Ireland
is all too frequently represented as an entirely new
phenomenon arising at the close of the twentieth century.
Discursive and policy responses are accordingly located
within a framework bounded by the recent past. Current
official discourses concerning immigration, integration and
diversity have tended to follow a Canadian-style liberal
multiculturalism, frequently accompanied by assertions that
Ireland is a comparatively ‘raceless’ society, not
dissimilar to assertions which used to be made that the
country was ‘classless’. Yet if Irish nationalists are
Herder’s children, to use Professor Bryan Fanning’s phrase,
the roots of that tradition can surely best be located in
nineteenth century Romantic exceptionalism – a bounded,
antiquarian, culturally defined and fixed vision of the
nation. Irishness may have been represented in British
discourse as a subaltern identity within a hegemonic British
polity in which the Irish were frequently positioned as a
racialised other. But the response on the Irish side
sometimes took the form of the rejection of this subaltern
status, not through a radical critique of the project of
racialisation in the first place, or through an expression
of solidarity with other subaltern peoples, but via the
assertion of a ‘separate but equal’ status for the Irish
within a dominant culture of white entitlement. Moreover,
Irish representations of themselves frequently and
dismayingly internalised stereotypes of the ‘mystical’ and
‘spiritual’ Celt, possessed of quite different traits of
character and behaviour than the ‘pragmatic’ Anglo-Saxon.
These inherited myths of a nation of poets and dreamers,
united by a shared cultural history, formed a key part of
modern Irish identity construction. They also form a
significant part of a discourse which, in the context of a
present-day multi-ethnic and diverse society, could best be
described as a form of disavowed multiculturalism. |