Abstract
'Still splitting heirs,
dividing a Shem from a Shaun': Transcultural Joyce and the
Postcolonial Hybrid
Tynan, Maeve
(University
of Limerick, Ireland)
The above quotation, taken
from Caribbean writer Derek Walcott's Omeros presents a view
of Ireland as a bifurcated postcolony 'split by a glottal
scream'. This paper seeks to chart the movement from
monolithic either/ or readings of Ireland, (such as
catholic/ protestant, nationalist/ loyalist, postcolonial/
non-postcolonial), to a greater appreciation of the
correspondences between, (consider for example, Kiberd's
'protholics and cathestants' and Howes and Attridge's
'Semicolonial' Joyce). Examining the afterlife of Joyce's
writings in a postcolonial context reveals the precedent
provided by the Irish writer for other colonial writers who
likewise sought to 'fly past the nets' of their own national
debates; as Walcott writes 'Mr Joyce led us all'. A colonial
writer and European high-modernist Joyce occupied a
simultaneous position of canonicity and counter-canonicity,
engaging with the language of the colonizer whilst reshaping
it. In introducing seeming oppo! Sitions only to highlight
their connection Joyce provided a blueprint for the hybrid
intellectual. In turn Walcott's creolization of Joyce and of
the English language, with the increased focus on racial
diversity, provides a model for a newly multicultural
Ireland. This shift towards the cultural hybridity that
characterises Caribbean society posits the Caribbean
experience as paradigmatic rather than peripheral,
suggesting a plurality that inspires James Clifford to
declare, '[w]e are all Caribbeans now in our urban
archipelagos'. Walcott's poetic response to Joyce leads
Pollard to identify him as Shem the Penman to Joyce's Shawn
the Postman with Omeros being the Letter from the New World
eagerly awaited in Finnegan's Wake. Distanced in time, race
and geography by a sea that both connects and separates one
to/from the other, Walcott reunites the split heirs to the
language and culture of the colonizing power.
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